Mythic Rebirth in Gustav Klimt’s Stoclet Frieze: New Considerations of Its Egyptianizing Form and Content The Art Bulletin Published By: CAA org/3045853 jstor. Org/stable/3045853 This article explores new sources for Klimt’s usage of Egyptian themes from the Stoclet Frieze: the aesthetic theories and preferences of Father Desiderius Lenz of the Beuron School, an exhibition of Beuron artwork in Vienna, Theodor Graf’s collection of Fayyum portraits, along with modern dance at the Nordic capital. An interpretation of this Frieze is here offered based on Plutarch’s account of the legend of Isis and Osiris. This tale of discord, death, and rebirth was applicable for Klimt personally and for the Klimt Group following their fracture from the Vienna Secession in 1905. The Art Bulletin provides leading pupil in the English language in all aspects of art history as practiced at the academy, museums, and alternative associations. From its founding in 1913 the journal has published, through rigorous peer evaluation, scholarly articles and critical reports of the highest caliber in all areas and phases of their history of art. Articles require an assortment of methodological approaches, from the historic to the theoretical. In its assignment for a journal of record, The Art Bulletin fosters an intensive involvement with intellectual developments and arguments in modern art-historical practice. The journal, that welcomes submissions from scholars globally and Greek Artist Enrich His Mystical Female Portraits With Gold Details at every career stage, is released four times a year in,,, and also by the College Art Association. Founded in 1911, the College Art Association… Promotes excellence in scholarship and teaching in the history and criticism of the visual arts and in creativity and technical skill in the training and practices of art. Facilitates the exchange of ideas and information among those interested in history and art of art. Advocates comprehensive and comprehensive education in the visual arts. Speaks to your membership on topics affecting the visual arts and humanities. Provides opportunities for book of criticism, scholarship, and artists’ writings. Fosters career growth and professional improvement. Identifies and develops sources of funds for the custom of art and also to get student in the arts and humanities. Honors achievements of artists, art historians, art historians, and critics. Articulates and supports the greatest ethical standards in the conduct of the livelihood. Authorization to photocopy texts for either internal or personal use (beyond that allowed by sections 107 and 108 of the U. S. Copyright Law), or for one time, limited-term nonprofit academic use in coursepacks or closed-access academic course Intranet sites, is granted from the College Art Association free of charge. For other uses, please contact the respective author or other rights holders to get written consent, and then the College Art Association.